The lecture notes of University of Kansas Professor Anna M. Cienciala: Nationalism and Communism in East Central Europe. The notes cover the history of East Central Europe from the partitions of Poland beginning in 1772 through to the post-Communiest period.

The Online Encyclopedia of Mass Violence’s Chronology of Mass Violence in Poland 1918-1948

Telling the Irena Sendler story: Life in a Jar: The Irena Sendler Project

Protestant kids from rural Kansas, discovered a Polish Catholic woman who saved Jewish children. Irena Sendler and these students have chosen to repair the world. This web site shares the legacy and life of Irena Sendler, plus her ‘discovery’ for the world.

Editions Bibliotekos announced that Dr. John Guzlowski will participate in a series sponsored by the English Department of St. Francis College on October 11th from 4–6 pm. John’s reading and discussion, entitled War Remembered – Lightning and Ashes: Two Lives Shaped by World War II, will be the third such event initiated by Editions Bibliotekos and hosted by St. Francis. The event will be held in Founders Hall, 180 Remsen St., Brooklyn Heights, NY, and is free and open to the public.

CNN’s Eye On takes you to Poland starting Monday, September 12th.

Through interviews and in-depth coverage, get an up-close look at the country in an international context on TV and online.

In 1989, Poland became the first member of the Soviet bloc to establish a non-Communist government.

Since then it has run headlong into the western world with one of the fastest-growing economies in Europe. The CIA World Factbook calls Poland a regional success story…

Poland’s multiethnic past is remembered in A Commonwealth of Diverse Cultures. Highlights include the contributions of Poles whose heritage is Jewish or is from the Ruthenian/Byzantine East, Lithuania, Italy, France, Germany, Armenia, the Islamic southeast. This history of Scotts in Poland is not covered, but is also interesting.

James Conroyd Martin recently finished his manuscript focusing on the Polish Insurrection of 1830. He has posted lines from the manuscript on Facebook. Also, check out Morgen Bailey’s interview with James Martin at Morgen Bailey’s Writing Blog

Kanonia Square below was aglow with torches borne by people streaming towards Długa Street. Events had moved fast, much faster than Viktor had imagined. The people had joined the cadets’ insurgency with unexpected enthusiasm and resolve. Russians had always underrated the Poles, just as the Turks had at the Battle of Vienna. Here was more modern proof.

From The Text Message: Little Poland en la hacienda

From 1943 to 1946, Colonia Santa Rosa in Guanajuato, Mexico was the site of a US-government sponsored home for Polish refugees. About 240 miles northwest of Mexico City and “10 minutes’ ride by mule-drawn tram from the Leon railway station,” the hacienda included a 39-room ranch house, a flour mill, ten wheat storage warehouses, a chapel and other buildings, as well as several acres for growing crops. By October 1943, almost 1,500 Poles were sheltered at Colonia Santa Rosa.

Their path to Mexico was an unlikely one. Having been removed from their communities by the Soviet military in 1939, they first were put to work in Russia and Siberia. They were resettled in Iran by the Russians, and fell into the care of the British government. The British relocated them to camps in Karachi, then still a part of India, and sought US assistance for their support. An agreement was reached between the British, US and Mexican governments with the provisional Polish government in London to relocate these refugees to Mexico…

Martin Stepek seeks to understand and pass on what he has learned about his family’s life in Poland, and their odyssey to find refuge in Polish Legacy. His grandmother and grandfather died in Poland during World War Two, and his father and two aunts narrowly avoided the same fate.

BBC announces a new drama: The Spies Of Warsaw for BBC Four

Two 90-minute film adaptations of Alan Furst’s acclaimed novels will bring to BBC Four a combination of historically located, intelligent narratives, interlaced with flawed, romantic and utterly compelling characters. Furst, widely recognised as the current master of the historical spy novel, evokes a Europe stumbling into a Second World War, his taut and richly atmospheric thrillers grace the bestseller lists right around the globe. They have been described as “Casablanca meets John le Carre”.

Richard Klein, Controller, BBC Four, says: “Alan Furst is one of the world’s finest writers on war and the costs of war on human relationships. It is with great pleasure that I can confirm that BBC Four will be dramatising for television one of his best known novels, Spies Of Warsaw. Furst and Four are a very good fit and I hope our audiences will enjoy the result of this collaboration.”

The characters of Alan Furst’s best-selling spy novels roam the foggy nights and steal across the rainy, cobbled streets of Prague, Berlin, Warsaw, Rome, and Paris. Furst’s protagonists join the ranks of the Resistance in one way or another. They include faded nobility, b-movie filmmakers, newspapermen, ship’s captains and compromised businessmen as well as waiters, shopkeepers, jaded intellectuals, tarnished grand dames, and boozy British secret agents. Together they march in the underground army that seeks to fight back against the Nazi occupiers.

Spanning the decade from 1933 to 1943, as the Germans slowly consolidate their political stranglehold on Europe, Furst’s stories are portraits of subjugated peoples who try to resist the suffocating inevitability of Hitler’s regime. They show the potency and the importance of espionage and pure intelligence in the run up to the war…

Alan Alda had his new play about Marie Skłodowska Curie, RADIANCE: The Passion of Marie Curie, read during opening night of the World Science Festival in New York on June 1st. From the NY Times: Meryl Streep to Participate in Alan Alda’s Marie Curie Play

Mr. Alda, who has written five screenplays and a carton-full of television scripts, said on Monday that “Radiance: The Passion of Marie Curie,” is his first attempt at playwriting. The idea struck him about three years ago when he was planning to organize a reading of excerpts from Curie’s letters for the World Science Festival. “Then I found out her letters were all still radioactive and I switched to Albert Einstein,” said Mr. Alda, who has a passion for science. “But I love Marie Curie and I think her story is so important and dramatic, I wanted to explore it and write a play about it.”

Curie was the first woman to win a Nobel Prize in 1902 – for the theory of radioactivity that she developed with her husband, Pierre – and the first person to receive the award twice. She was awarded her second Nobel in chemistry in 1911 for her discovery of two elements, radium and polonium. There have been several renditions of Curie’s life on stage, television and film, including the 1943 drama starring Greer Garson. Without giving too much of the plot away, Mr. Alda said his play focuses on the period between her first Nobel Prize and her second nine years later. The Nobel committee did not originally want to include Curie in the award and only backed down after pressure from her husband. “But they wouldn’t let her get up and accept the award,” Mr. Alda said. “She had to sit in the audience.” In the intervening years, Pierre Curie died and Marie had to run a gauntlet of setbacks and obstacles, but by 1911, Mr. Alda said, “her work is finally recognized, and she takes full credit for it, even though by now she’s weakened by radiation poisoning.”

“I think she had a kind of cognitive dissonance about it,” Mr. Alda said of the damaging fallout from her experiments. “She didn’t want to believe it was sickening her,” he added. “It’s part of the heroism of science itself. We as a species are just so interested in understanding things that might be dangerous to mess with, but nothing stops us.”

Mr. Alda, a voracious reader of nonfiction, said he did his own research. “All I read is science,” he said, though confessed that the math and chemistry involved still elude him…

From Polskie Radio: Poland – a land that time forgot?

A grim-looking farmer with a pitchfork and communist-era industrial cityscapes – such are the images of Poland often presented in modern-day history books in Western Europe, finds a new report.

The backward image of Poland so often presented in history books has been tackled in a report issued on behalf of the Foreign Affairs Ministry by historian Professor Adam Suchoński from Opole University, who looked into the history textbooks used in high schools throughout Europe.

…

“These textbooks are still very much in use. Reprinted every couple of years, reinforcing negative stereotype of Poles and their country,” says Professor Suchoński, adding that “[Poles] are depicted as fighters, victims of war, persecution and failed national uprisings.”

…

The historian suggests that Poland should prepare an extensive overview of its history, which it should forward to the Georg Eckert Institute, an acclaimed reference center for textbook research in Germany and a Mecca for authors of history books.

Modjeska — Woman Triumphant: The first full-length documentary made about Helena Modjeska

Helena Modjeska was born in Krakow, Poland, on October 12, 1840. She received her only formal education while attending the convent run by the Order of the Presentation Sisters. She was seduced at a young age by one of the family guardians, Gustave Sinnmayer. He later fathered her two children, Rudolph and her daughter Marylka, who died in infancy. As the couple traveled with their acting troupe around the provincial towns of Galicia, Gustave used the stage name “Modrzejewski” while Helena adopted the feminine version “Modrzejewska”. Later, when performing abroad, she anglicized her name to “Modjeska”.

Realizing that her impresario could no longer advance her career, Helena left Sinnmayer, taking their son Rudolf, and returned to Krakow. While engaged in the Krakow theatre, she met the Polish nobleman, Karol Bozenta Chlapowski. They married in 1868 and left for Warsaw where she became the most celebrated actress of the Polish national theatre. Her brothers Jozef and Feliks Benda were also respected actors in Poland. The Chlapowski home became the center of the artistic and literary world. Yet, due to the political situation in Poland and its influence on her work, Helena’s life became unbearable.

In 1876, for personal and political reasons, Modjeska and her family emigrated to the United States with a small group of friends. They purchased a ranch in Anaheim, California, forming a Polish colony of intellectuals. The colonists knew very little about farming and the utopian experiment eventually failed.

Modjeska returned to the stage, debuting in San Francisco with an English version of Adrienne Lecouvreur and reprising the Shakespearean roles that she had performed in Poland. Despite her accent and imperfect command of English, Modjeska achieved great success in her thirty-year career in the United States and abroad.

In 1893 Modjeska was invited to speak in a women’s conference at the Chicago World’s Fair. She described the hardships of Polish women in the Russian and Prussian-ruled parts of Poland. The Russian tsar banned her from traveling or performing in Russian territory.

Modjeska became known for her support of charitable causes. She had ignited and influenced the careers of many international artists, such as Sienkiewicz and Paderewski. She advanced and uplifted the profession of acting for women…

Deconstructing myth: Cavalry did not charge the tanks – some interesting facts about the start of World War II. Based on John Radzilowski’s work and featured in the NocturN510 Blog.

The battle in the Polish Corridor was especially intense. It was here that the myth of the Polish cavalry charging German tanks was born. As Gen. Heinz Guderian’s panzer and motorized forces pressed the weaker Polish forces back, a unit of Pomorska Cavalry Brigade slipped through German lines late in the day on Sept. 1 in an effort to counterattack and slow the German advance. The unit happened on a German infantry battalion making camp. The Polish cavalry mounted a saber charge, sending the Germans fleeing at that moment, a group of German armored cars arrived on the scene and opened fire on the cavalry, killing several troopers and forcing the rest to retreat. Nazi propagandists made this into “cavalry charging tanks” and even made a movie to embellish their claims. While historians remembered the propaganda, they forgot that on September 1, Gen. Guderian had to personally intervene to stop the German 20th motorized division from retreating under what it described as “intense cavalry pressure.” This pressure was being applied by the Polish 18th Lancer Regiment, a unit one tenth its size.