Norman Davies discusses the partitions of Poland in an interview about his new book Vanished Kingdoms The History of half-forgotten Europe.
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Posts Tagged ‘YouTube’
Poetry reading by Dr. John Guzlowski
Dr. Guzlowski’s recent reading at St. Francis College is now available on YouTube.
Films, openings, screenings
The Battle of Warsaw 1920
The Battle of Warsaw 1920, a new film by Jerzy Hoffman released this week. The movie tells the story of Polish – Bolshevik War of 1920 and the Battle of Warsaw, the pivotal moment in the war which stopped the spread of communism in Central and Western Europe.
The first world war is over; people are enjoying peace. But the Red Army is approaching and Lenin has ideas of world revolution. The Polish unite to resist and stop the Red Army outside Warsaw. In part this is a love story as well as a history lesson. We follow two newly married people caught up in the conflict. We sway back and forth from the front-lines, back to Warsaw, as the Red Army pushes east.
Wojtek The Bear That Went to War
Screening of Polish-British documentary about the bear who fought in World War Two: Wojtek The Bear That Went to War on Tuesday, November 15th, 6.30pm at Riverside Studios, Crisp Road, London W6 9RL
Wojtek The Bear That Went to War, directed by Will Hood and Adam Lavis, Narrated by Brian Blessed, and produced by Animal Monday and Braidmade Films, is the story of Wojtek the Soldier Bear – a magnificent 500lb military bear who fought in World War Two alongside a band of Polish soldiers, shared their beer and cigarettes – and eventually their fate. Told by those that knew him, his story will capture the imagination and provide a very different perspective of the Polish war story.
The screening will be followed by a Q&A with the director and veterans who knew Wojtek
Tickets: £8.50/7.50 cons.
More from BBC Scotland: Wojtek: the Polish soldier bear who lived at Edinburgh Zoo
In his own lifetime, Wojtek, a Syrian brown bear adopted by Polish soldiers in the Second World War, was a celebrity among his comrades. Seven decades on, in Scotland, his legend is undergoing a renaissance thanks to the efforts both of the Polish community itself and of local artists and writers.
Acquired as an orphaned cub in Iran, the young Wojtek was soon well-travelled: with the Artillery Supply Command of the Polish Second Corps he saw fighting in the deserts of north Africa, where the Second Corps joined the British fight against Rommel’s forces, and in Italy…
The Polish Americans on PBS
The Polish Americans applauds the spirit, determination and solidarity of an immigrant success story like no other. Using vintage film footage, family photos, personal recollections and experiences, this documentary special embodies Polish pride in a televised “family album” of the Polish-American experience.
The Polish Americans takes viewers to the bastions of Polonia across the United States, from New York City and Schenectady to Cleveland and Chicago, where parents instill in their children the virtues and values of their native land and a love of its traditions, like the pierogi so many mothers filled and pinched just right.
While strongly American and part of the larger culture, Polish Americans maintained a desire to keep their heritage alive — with rewarding results. The Polish Americans celebrates these proud achievements.
The Officer’s Wife
The Officer’s Wife was screened in Chicago on Friday, October 7th at the Copernicus Center. The screening was sponsored by the Polish American Congress.
Piotr Uzarowicz’s grandfather was one of the nearly 22,000 Polish prisoners of war executed in the Katyn massacre of 1940. Piotr recently completed “The Officer’s Wife,” a documentary about Katyn and the far-reaching effects the massacre – and its cover-up – had on the Uzarowicz family. The film is an ode not just to Piotr’s grandfather: Piotr’s grandmother and father, deported to Siberia during the war, are also key players – as is Piotr himself, who journeys to Poland, Russia, England, Canada, Ukraine and the U.S. on his film-making and personal odyssey. “The Officer’s Wife” was first previewed in May at the Kosciuszko Foundation in New York.
Warsaw Jewish Film Festival
The Warsaw Jewish Film Festival will take place in Warsaw, Poland from November 8-13. Screenings will be at the Kinoteka and Świt Theaters. This year’s Honorary David Camera is dedicated to Polish film and TV director and screenwriter Mrs. Agnieszka Holland.
Among the films competing, David, about the unlikely friendship between a Jewish and Muslim boy in Brooklyn, directed by Joel Fendelman.
“David” trailer from Joel Fendelman on Vimeo.
Into the Wind
Into the Wind is Steven Hatton’s first feature length documentary, capturing the life and wartime experiences of former Bomber Command veterans from the Second World War. As well as a document of unique historical value and significance, Into the Wind is a record of deeply personal stories, tales of friendships gained and lost, the perpetual possibility and proximity of death, the importance of love and family, the shared passion for flying and the moral implications of warfare.
The documentary features interviews with former aircrew originating from Poland, New Zealand, Australia, Canada, Guyana, Trinidad and Tobago and the United Kingdom, all of whom share the weight and responsibility of having helped change the course of history.
See the BBC Article
Into the Wind: The story of Bomber Command.
Poetry Updates
1There’s been a ton of activity at the Polish American Writers & Editors group on Facebook. Some highlights:
Danuta Hinc in Plowing the Polish-English fallow ground
One might say that living a bilingual life offers enriched experience, but I say it also brings confusion and struggle during the first years of learning, especially when the second language enters someone’s life in the second or third decade. I am not sure if there is a moment when two different languages can merge and become “one” or if they always exist as separate platforms of experience and expression.
Translating my novel, Zabić Innego, originally written in Polish, into To Kill the Other, taught me the value of time and persistent repetition, something that’s hard to admit and even harder to accept in today’s fast-paced world.
For those of us who are born into single-language families — meaning the mother and the father speak the same language — the world becomes entrenched in the sound of the language in a singular if not monotonous way. In this case language becomes unequivocal with objects, actions, feelings, and emotions. I can’t decide if the context of life imposes itself on language or if the language underlines the context. Perhaps the two options are intertwined and impossible to separate.
…
The interesting question revolves around the second language. What happens when we learn another language, the so-called “second language,” later in our lives?
My experience tells me that the second language becomes an exotic realm of existence: appealing, promising, and — against all hope — unattainable…
Florence Waszkelewicz Clowes of the Polish American Journal has invited authors to contact her if they have interest in a review by the Journal.
oriana-poetry reflects on the poetry, theology, and alcoholism of Czesław Miłosz in Milosz At The Gates Of Heaven. A excellent reflection contracting the faith of Agape with the faith of predestination and damnation.
Sober Reader, you yawn: yet another famous poet turns out to have been an alcoholic. “Heaven is the third vodka” – should we even bother discussing what for non-alcoholics is sheer nonsense? And is it really true that great writers need a “charismatic flaw,” as the literary critic Leslie Fiedler claimed, that flaw generally being dependence on alcohol?
Milosz writes: “My real drinking began in earnest in occupied Warsaw with my future wife Janka and Jerzy Andrzejewski (author of Ashes and Diamond) . . . I drank a lot, but always took care to separate time for work from time for letting go . . . Alas, too many generations of my ancestors drank for me to have been free from the urge for the bottle.” (Milosz’s ABC, p. 18)
…I am interested in the acutely bitter tone of this unique poem. Is this Job speaking, subtly accusing the Old One (as Einstein liked to refer to God)? Let’s not forget that Milosz is a metaphysical poet, and can provide us with a certain metaphysical shiver when we consider the kind of cruel deterministic theology that is still very powerful, while progressive Christian theologies remain anemic.
“An Alcoholic Enters the Gates of Heaven” is especially interesting in the light of the recent prediction by a fundamentalist preacher, Harold Camping (a happy camper, since he regards himself as one of those predestined to taste paradise) that the Last Judgment would take place Saturday May 21st at 6 PM (Eastern Standard Time, I think). I have also just read an interesting summary of crucifixion-centered theologies versus progressive theologies. The preacher who was predicting the end of the world belongs to the first tradition, of Christ seen both as a sacrificial victim, a “sin sacrifice,” and – this seems an egregiously un-Christian concept – as the ultimate judge who will accept the chosen few and hurl billions of souls into eternal torment.
Progressive theologies, on the other hand, are fascinated by early Christianity that emphasized agape (loving kindness; a community of affection) and paradise rather than hell. The basic tenet of progressive theologies is that the Second Coming is the birth of Christ Consciousness within us and among us, in the global community. We are here to build the kingdom of God on earth. God intends all souls to be saved. Paradise is here and now.
Alas, progressive theologians do not seem to have the PR resources commanded by the “blood of the Lamb/Armageddon” theologies. The only time there seemed to be true hope for progressive theologies was when Rabbi Kushner’s famous book, When Bad Things Happen to Good People, became a best-seller. Kushner posited a deity with limited powers, one who neither causes nor prevents cancer, heart attacks, tsunamis, and other disasters. God does not decide which child will get leukemia, or who will grow up to be an alcoholic. Some evil is the work of natural laws (these days, an earthquake is rarely called an “act of God”); other kinds of evil are the work of man. Afterwards, everything depends on our response: do we curse and despair and can’t move on, or do we summon the strength to transcend the tragedy? Faith is one of the resources that can increase people’s strength to endure and recover. (Twelve-step programs also come to mind.)…
John Guzlowski reads Beets, about his mother’s experience in the Nazi slave labor camps in Germany during WWII. The poem is taken from his book Lightning and Ashes.
…and from yours truly, a friend I assisted in assembling Poetry and Sundry, a book of poems on a myriad of subjects, particularly interpersonal relationships, sex, passion, regret, faith, commitment, love, places, and Polish related subjects:
An excerpt from the poem Narrative:
Constructed sequence events.
Latin: narrare, “to recount.”
Latin: gnarus, “knowing.”
Recounting what we know.
But for us, history unwritten.
No available narrative.
Certainly members of narratives,
Other definitions,
Background stories.
Ours unwritten.
So we have begun, to inscribe.
And the poem Hallelujah
Leonard Cohen.
Kohanim.
You know God – serving Him as priest.
Touching all the essentials
in poetry and song —
love, longing, war, eroticism, spirituality.
Things at our core
that transcend.
Things that quake us.
CONVO 2010 Videos
Check out this YouTube page for a whole bunch of CONVO 2010 videos, including this most excellent, Be a Priest in the PNCC video. The video was shot at the closing beach party and bonfire.
From Sta. Sunniva Mission Parish, Bergen, Norway
1Their summer picnic. Their priest (in cassock – hope its summer weight) is the Rev. Erik Andreas. Prior to coming to the Nordic Catholic Church in 2001, Father served as a Norwegian Naval Chaplain. He was ordained a deacon in Holy Mother of the Rosary PNC Cathedral in Buffalo on November 29, 2001 and as priest on November 30th. Between 2001 and 2004 he served as an assistant priest and later vicar at the Parish of St. John the Baptist and St. Michael in eastern Norway. From autumn 2004, he has served as chaplain and administrator in the Sta. Sunniva Mission Parish in Bergen. He and his wife Solveig have three children.
Coptic Solidarity
Shepherd of Believers from the David Ensemble
Give ear, O Shepherd of Israel,
thou who leadest Joseph like a flock!
Thou who art enthroned upon the cherubim, shine forth
before E’phraim and Benjamin and Manas’seh!
Stir up thy might,
and come to save us!
Restore us, O God;
let thy face shine, that we may be saved!
The founding members of Coptic Solidarity, held a conference, June 19th-20th, to launch the activities of their new organization.
The gathered members elected Adel Guindy as president, and a ten-member Executive Committee. Attending and speaking were Dr. Dwight Bashir, deputy director of USCIRF; Tina Ramirez, congressional fellow; Taniel Koushakjian, director of Grassroots at the Armenian Assembly; Pierro Tozzi, senior legal counsel at the Alliance Defense Fund; and Dr. Walid Phares, professor of political science and senior fellow at the Foundation for the Defense of Democracies.
Coptic Solidarity’s overall mission is to “empower the Copts in Egypt to help them attain full and inalienable citizenship rights and equality, under secular constitution and laws; drawn in accordance with current international standards set by Human Rights conventions.”
For more on the persecution of Coptic Christians (and the reason for the Coptic tattoo tradition) see Missing the point of Coptic tattoos from GetReligion.
Filibuster, how did that Liberum Veto work out for you?
3“Those who don’t know history are destined to repeat it.” — Edmund Burke
The current method of filibuster being used in the U.S. Senate reminds me of the corrupted version of the Liberum Veto as practiced during the periods in which the Polish Commonwealth was weakened.
From Wikipedia: Liberum veto (emphasis mine):
[The] Liberum Veto (Latin for I freely forbid) was a parliamentary device in the Polish-Lithuanian Commonwealth. It allowed any member of the Sejm to force an immediate end to the current session and nullify all legislation already passed at it by shouting Nie pozwalam! (Polish: I do not allow!).
From the mid-sixteenth to the late eighteenth century, the Polish—“Lithuanian Commonwealth utilized the liberum veto, a form of unanimity voting rule, in its parliamentary deliberations. The “principle of liberum veto played an important role in [the] emergence of the unique Polish form of constitutionalism.” This constraint on the powers of the monarch were significant in making the “rule of law, religious tolerance and limited constitutional government … the norm in Poland in times when the rest of Europe was being devastated by religious hatred and despotism.”
This rule evolved from a unanimity principle (unanimous consent), and the latter from the federative character of the Polish-Lithuanian Commonwealth, which was essentially a federation of countries. Each deputy to a Sejm was elected at a local regional sejm (sejmik) and represented the entire region. He thus assumed responsibility to his sejmik for all decisions taken at the Sejm. A decision taken by a majority against the will of a minority (even if only a single sejmik) was considered a violation of the principle of political equality.
…
In the first half of the 18th century, it became increasingly common for Sejm sessions to be broken up by liberum veto, as the Commonwealth’s neighbours —” chiefly Russia and Prussia —” found this a useful tool to frustrate attempts at reforming and strengthening the Commonwealth. The Commonwealth deteriorated from a European power into a state of anarchy.
Many historians hold that a major cause of the Commonwealth’s downfall was the principle of liberum veto. Thus deputies bribed by magnates or foreign powers, or simply content to believe they were living in some kind of “Golden Age”, for over a century paralysed the Commonwealth’s government, stemming any attempts at reform.
In the past, the U.S. Senate was governed by a high degree of decorum. It was the house of slow deliberation, and where disagreement arose, it arose in a gentlemanly form. As with the way the Liberum Veto was used as part of proper deliberation, the atmosphere of discourse and compromise had worked to strengthen the country.
In momemts of severe disagreement, a Senator could rise and invoke a filibuster (as everyone points to, recall Jimmy Stewart in Mr. Smith Goes to Washington). The Senator invoking the filibuster had to occupy the floor and continue deliberation, expounding on the reasons he was against the legislation or otherwise wasting time. It was a personal effort at blocking legislation.
Certainly, power and politics played a role in the past, but not to the extent to which it has over the past 20 years. We have moved from a proper system of checks and balances to the misuse of such, much as the Liberum Veto came to be misused. In this day, one Senator may simply state that he disagrees with some legislation, nomination, or treaty and retire to his golf game while that issue remains blocked indefinitely. Any issue may now become the hostage of any one man.
In order to move past the filibuster a super majority is required. In effect, most legislation now requires a super majority to get past the whim of any one Senator. Our government in general, and particularly any effort at substantive reform, may be brought to a grinding halt. As with the corruption of the Liberum Veto, a Senator’s objections are no longer personal, deeply held beliefs that a Senator was forced to defend in person. They are no longer part of the art of gentlemanly disagreement. The filibuster is a weapon in the hands of every Senator doing the bidding of his masters, i.e., the interest groups, lobbyists, and moneychangers.
The danger of the corrupted Liberum Veto lives on in the form of Senate filibusters under current Senate rules. While the filibuster does have a role in defending the opinion of the minority, it should not be used to permanently impede the will of the majority. That is not how the framers envisioned our system. More dangers lie ahead. The filibuster in the hands of a Senator kowtowing to a foreign power (Israel, China) will further speed the end of the American experiment. It is time to get this powerful tool back in check.
