Category: Art

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California-Pacific Triennial

With the flow of ideas and images crisscrossing the Pacific Ocean becoming a crucial component of contemporary art on the West Coast, the 2013 California-Pacific Triennial at the Orange County Museum of Art (OCMA) now offers an international dialogue, highlighting artwork by 32 artists from 15 countries. The presentation includes three off-site exhibitions giving greater access to individuals interested in this international survey. The California-Pacific Triennial is being curated by Dan Cameron of OCMA.

On Thursday, June 27th, from 7-9pm the OCMA will hold the 2013 California-Pacific Triennial, Artists Panel at the Yost Theater, Santa Ana. The evening will provide an early glimpse of the Triennial with a panel discussion in Spanish, moderated by MoCA Curator Alma Ruiz featuring artists from Chile, Guatemala, Honduras, Mexico and Colombia. Artists scheduled to participate include: Darío Escobar, Adriana Salazar, Adán Vallecillo, Sebastián Preece, Yoshua Okón, Hugo Crosthwaite.

On Sunday, June 30th, from 11am-5pm the OCMA will host the 2013 California-Pacific Triennial, Public Opening at the Orange County Museum of Art, Newport Beach.

The Gallery is closed Mondays and holidays. Hours are Tuesdays – Sundays 11.00 am – 4.00 pm. Extended hours: Friday & Saturday 11.00am – 7.00 pm. The first Saturday of the month galleries are open until 10.00 pm.

Grand Central Art Center programs are made possible with the generous support provided by: Metabolic Studio, the Efroymson Family Fund, the William Gillespie Foundation, the Fainbarg-Chase Families, an anonymous donor, The Yost Theatre, and Community Collaborative Partners.

Off-Site Exhibitions

Grand Central Art Center

The Grand Central Art Center (GCAC) a unit of Cal State University Fullerton’s College of the Arts in Santa Ana is hosting Colombian artist Adriana Salazar for a two-month studio residency, early May through June. During her residency, Salazar is reinterpreting a preexisting work for the California-Pacific Triennial, as well as developing a new site-specific sculptural installation for the main gallery at GCAC.

Coastline Art Gallery

Coastline Art Gallery in Newport Beach will present a three-person exhibition including Triennial artists Brice Bischoff and Dario Escobar, along with artist Stella Lai from June 30 – September 22. The exhibition includes a new floor-based sculptural work by Escobar that relates to the suspended mobile piece that he has created for OCMA. More details here.

The Guggenheim Gallery at Chapman University

York Chang’s and Mitchell Syrop’s two person exhibition at the Guggenheim Gallery at Chapman University presents the artists interest in the fabrication of supposed truths through the authority of text and context from June 30 – September 14. The pairing of their different methods of investigation, provides exciting, new constellations and timbres of their respective work, while showing the continuation of conceptual approaches in L.A.’s most recent art history.

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Friends Union String Band at the Shaker Heritage Site in Albany

Please consider joining the Friends Union String Band for an epic Music At The Meeting House Concert with some Shaker Wit and Wisdom at the Historic 1848 Shaker Meeting House, 25 Meeting House Road (next to Albany International Airport), Albany on Saturday, June 22nd, 7:30 P.M. The suggested donation is $15. Please call (518) 456-7890 for more information.

The Friends Union String Band features renowned Adirondack hammer dulcimer, 6 and 12 string guitar and vocalist, Rod Driscoll, along with Melbourne, Florida based master guitarist and bhodran player, Norma Rodham and fiddle master Steve Iachetta. Friends Union String Band will perform innovative and traditional dance music in a coffee-house setting at the Shaker first settlement special performance place.

The Shaker Heritage Society is a 501(c)(3) not-for-profit organization.

Art, Poland - Polish - Polonia,

Tribute to Ray Manzarek

Famed Rock Musician Passes
By Raymond Rolak

CHICAGO — Ray Manzarek, the famed keyboard artist for The Doors, passed after a long battle with bile duct cancer. He was 74 and under treatment at a clinic in Rosenheim, Germany. He was surrounded by family. He became part of Rock-and-Roll history with his jazz influenced electric organ renditions for the historic band. It is reported that The Doors sold over 100 million albums.

Born of Polish decent and attending Chicago St. Rita’s High School, his first real passion was basketball.

Manzarek was responsible for the left handed bass keyboard sound that became the unique signature of The Doors. He was in film school in 1965 at UCLA when along with Jim Morrison, they started their historic band. They enlisted drummer John Densmore and another friend, guitarist Robby Krieger. Because Manzarek did double duty with the keyboard they never had a bass guitar player. He also did some vocals on The Doors hit recordings.

Ray Manzarek, performing in 2002. Manzarek had reunited with The Doors' guitarist Robby Krieger more than 30 years after the band's lead singer, Jim Morrison, died.
Ray Manzarek, performing in 2002. Manzarek had reunited with The Doors’ guitarist Robby Krieger more than 30 years after the band’s lead singer, Jim Morrison, died.

In 1966, The Doors started to find their niche as the house band at the famed Los Angeles Sunset Strip nightclub, Whisky a Go-Go. The band developed what was described as a unique new L. A. sound and released “Break On Through (to the Other Side)” in early 1967. Then “Light My Fire” shot to No. 1 just two months later. Manzarek will always be known for the opening riff on “Light My Fire.”

His silky keyboards on “Riders On the Storm” are now considered iconic and classic rock. His art set the distinctive musical sound of the Doors apart from everyone else. This L.A. underground sound made The Doors both national and global rock stars.

Manzarek had said in a 2011 interview, “We had auditioned at a club in Los Angeles, and I saw the Fender Rhodes keyboard bass onstage, which belonged to another band. And I thought, ‘Eureka, that’s it. I’ll play that.’” “It worked out fine because it’s basically the way I play the keyboard anyway, with my left hand playing the bass line. And it kept The Doors as a four-side diamond, rather than an evil pentagram, he added.”

Manzarek married Dorothy Fujikawa in Los Angeles on December 21, 1967.

The band carried the baggage of controversy because of Morrison’s alcohol and drug use. Their 1976 performance on the Ed Sullivan Show was mired in giant television dispute because of a censored lyric.

After Morrison’s death in 1971, the band eventually broke up. Manzarek and Krieger had a contentious lawsuit with Densmore about licensing The Doors’ name for commercial purposes. Manzarek also became an author, writing “Light My Fire: My Life with the Doors” in 1998 and “The Poet In Exile” in 2002. He also became a successful producer especially with Punk Music in California.

In a Rolling Stones Magazine article in 1974, Manzarek said, “The Doors’ success was so quick it frightened me. The adulation we received was ridiculous. Nobody was saying much about the music – it was just mystique. The Doors became so mythical in such a short time. It was too much too soon.”

The Doors were inducted into the Rock and Roll Hall of Fame in 1993. Manzarek also reinvented himself playing jazz club dates and some Chicago style Blues. He last recorded in 2010, a blues album with slide guitarist Roy Rogers.

He was born Feb. 12, 1939 in Chicago and his real last name was Manczarek. He dropped the “c.” to simplify the spelling. He also had earned an Economics degree from DePaul University. In semi-retirement he had settled in Napa County. Manzarek is survived by his wife, Dorothy; a son, Pablo; three grandchildren and two brothers, Rick and James Manczarek.

Editor’s Note: Raymond Rolak was one of the producers for the recently released to DVD Hawaiian comedy, Get A Job.

Art, Christian Witness, Events, PNCC, ,

Encountering Christ in drama

From the Time Tribune: Dramas bring Easter to life

The apostle Peter sang his welcome to the audience in the darkened hall at the Rock Church Worship Center during dress rehearsals last week for the congregation’s annual Easter drama.

He was on a stage set with vine-covered walls, an open tomb and a wheel-shaped stone that foretold his story’s ending.

“The son of God has come and I’m a witness,” he sang.

In churches throughout the region, accounts of Jesus Christ’s life, death and resurrection have stepped out of Scripture onto stages in recent weeks as parishes dramatize the defining event of Christian history, turning audiences and actors into witnesses. The displays range from modest wooden tombs set up on church lawns to elaborate stage dramas with dozens of cast and crew members.

“We all need to be reminded that Jesus came and gave his life for us,” Rock Church pastor Bill Smalt said before calling his performers to their places. “We can read it in the Bible. But there’s something when you see it acted out that’s more powerful sometimes than just reading it.”

Performances of Christ’s suffering and resurrection originated in the Middle Ages, with Easter and Passion plays that grew out of the already dramatic elements of church-based worship.

The Rev. Gerald Gurka, a Roman Catholic priest in Larksville who has written more than 30 Passion plays or less elaborate living stations of the cross, said the medieval plays, like stained-glass windows, were used to share the Gospel with a public that could not read or write. The teaching tools were also beautiful and affecting.

The practice persists because it still works, he said. This year, a cast and crew of about 100 people put on his newest Passion play for a packed audience at St. John the Baptist Church.

“Every year, something wonderful happens,” he said. People return to church or patch over personal grievances. Once, an alcoholic father of children who were acting in the play checked himself into rehab after the performance was over.

“I don’t look for that to happen,” he said, “but I think it’s the way God’s message speaks to people through that art form.”

Other Christian holidays also lend themselves to dramatic recreation. Christmas pageants and living nativity scenes abound. But area pastors say that Easter dramas, and dramatic aspects of Easter religious rituals, emphasize the proper center of the faith and enliven the long period of reflection that precedes and follows the holiday.

The 90-day season of Lent and Easter “is the whole core and heart of the Christian faith,” said the Right. Rev. Bernard Nowicki, bishop of the Central Diocese of the Polish National Catholic Church and pastor of St. Stanislaus Cathedral. “Then the church spends the rest of the year discussing what all that means.”

Easter dramas, like the living stations of the cross performed at the cathedral during Lent, continue to be instructive for seekers, he said, and offer the parish youth a leadership role in worship. They are also vivid and emotionally moving.

“The action taking place – Christ falls once, twice, three times, quite a crash when the cross hits the floor – it makes it almost visceral.”

At Peace Lutheran Church, which is located on a busy stretch of Main Avenue, the congregation uses its high-profile space to reenact Jesus’ crucifixion on Good Friday.

Costumed parishioners walk with a Jesus character bearing his cross for several blocks then act out the crucifixion near the church steps.

“We want to use it as a witness for the rest of the world passing by,” the Rev. Kristian Bjornstad said.

At times, they have been ridiculed for it. People in passing cars shouted obscenities during past years’ performances.

“Sometimes when we read the text, we don’t get a clue what it was really like for Jesus to be mocked and made fun of,” he said, “until we’re reenacting it and they do it to us.”

However uncomfortable, the portrayal helps bring Christianity’s most important historical moment into the present, he said.

“To reenact that is to affirm its reality in our lives today.”

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New York Folklore Society presents The Art of Community Workshop

The New York Folklore Society, Building Cultural Bridges, The American Folklore Society, and New York State Council on the Arts presents the Art of Community Workshop: Building and Arts and Culture Support Network for Newcomer Artists in New York State workshop on Friday, May 17th from 8:30 a.m. – 5:30 p.m. at the Utica Public Library, one block east of the Ithaca Commons at 401 E. State/MLK Jr. Street, 303 Genesee Street, Utica, NY 13501. You are invited to attend this workshop that will explore merging the arts with social services to better serve these newcomer communities and to enliven our community at large.

Upstate New York has become home to an ever-expanding community of refugees and immigrants from all over the world. Layering upon an already rich infrastructure of arts organizations, there is a great potential for an increasingly varied cultural landscape. Yet many of the artists from these communities struggle to maintain their expressive and cultural heritage traditions in the face of overwhelming and immediate needs as they adapt to their new environment.

Anybody concerned with the well-being of immigrant/refugee communities is welcome to attend, including but not limited to: refugee or immigrant artists, staff from cultural and community-based organizations and local art organizations, educators, funders, folklorists, staff from shops and galleries that market immigrant/refugee arts, refugee and immigrant service providers, and library staff.

The day-long workshop will present both national and local models of successful arts and social service collaborations which serve the focus communities. Also, newcomer artists will perform, demonstrate and talk about the importance of maintaining their cultural traditions in their new homeland. Drawing on personal experience and ideas generated by the presentations, participants will work together to explore possibilities for collaboration and to establish a local network for resource sharing. Spaces will be made available for participants to share information about their art forms or programs through printed materials. Interpretation services will be available.

You can register online at the New York Folklore Society.

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Spend Mother’s Day with Pete and Peggy Seeger

See Pete and Peggy Seeger at the Eighth Step Coffeehouse, Proctors Theater, Schenectady on Mother’s Day, Sunday May 12th in a special event to benefit the New York Folklore Society.

The New York Folklore Society is offering a special opportunity to attend the Pete and Peggy Seeger Concert on Sunday May 12th at Proctors Theater with a block of tickets that includes a Pre-Concert Reception And Dinner in the Fenimore Gallery at Proctors. The reception will take place from 5 – 6 p.m.. The Concert begins at 7 p.m. Dining includes specialties from the Indo-African diaspora.

Tickets for the dinner are $35, the dinner and show is $70. Friend of the Folklore Society are $100 which includes dinner, show, and Society membership – a $15.00 savings. Tickets may be purchased on-line.

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New York Folklore Society Annual Conference

The New York Folklore Society’s Annual Conference will be held at ArtsWestchester, 31 Mamaroneck Avenue, White Plains, NY on Saturday, March 2nd. The day will begin at 11 a.m. with a preview of the Society’s newly designed website followed by the Society’s annual meeting. An optional lunch will be available (advanced reservations and a small fee required). Speakers and panel discussions begin at 1 p.m. on the theme Occupational Folklore: A conference to accompany the exhibit From Shore to Shore: Boat Builders and Boat Yards of Westchester and Long Island.

Admission is $15, $10 for NYFS Members, Students are Free. Attendees may register and RSVP online. More information on the event is available by calling (518) 346-7008.

Event Sponsors include ArtsWestchester, Long Island Traditions, the New York State Council on the Arts, and the National Endowment for the Arts.

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One Story Summer Writer’s Workshop

This summer, One Story will again be offering a six-day fiction workshop for writers. With just two workshops of ten students each, this summer workshop is designed to help each student take the next step in their writing career in a supportive environment.

The week will include morning workshops, afternoon craft lectures, and evening panels with authors, agents, MFA faculty, and editors. The workshop will be held from July 14 – 19, 2013, at the Center for Fiction in Manhattan. Former Associate Editor Marie-Helene Bertino and Contributing Editor Will Allison will be returning as workshop leaders. Both bring their unique experience as editors and writers to the table.

Editor-in-Chief Hannah Tinti, as well as other established writers chosen for their ability to teach the craft of writing in engaging ways, will lead focused afternoon craft classes on topics like character, dialogue, and plot.

Every night, there will be a wine and cheese reception and panel discussion with industry professionals. Last year’s lecturers and panelists included Myla Goldberg, Victor LaValle, Simon Van Booy, editors from Granta, Bellevue Literary Review, Gigantic, literary agents, and MFA directors.

Applications for the One Story Workshop for Writers are being accepted now until April 30, 2013.

Prior attendees have said:

“The One Story Summer Writers Workshop was the first time I’ve felt that what I do is important. For a solitary writer, the experience of meeting, connecting with, and learning from others in the field is priceless. I’m inspired.” — Adam Sturtevant, Summer Workshop Participant 2011

“I feel much more confident about pursuing a writing career after the workshop. The thing I wasn’t necessarily expecting was the thing that I’ve come to appreciate the most: an overwhelming feeling of community and camaraderie, and I absolutely believe the relationships developed at the workshop will carry on long into our careers.” — Eric Fershtman, Summer Workshop Participant 2010

“I loved spending a week with the people at One Story. The spirit and energy was infectious and encouraging. Everyone is excited to talk about writing.” — Patty Forgie, Summer Workshop Participant 2012

Art, Poland - Polish - Polonia, , , ,

Agata Tuszyńska to read from “Vera Gran – The Accused” at UMASS Amherst

From UMASS Amherst: Polish biographer Agata Tuszyńska to read from new book

Polish biographer Agata Tuszyńska will read from her new book, “Vera Gran – The Accused,” on Tuesday, Feb. 26 at 7:30 p.m. in 601 Herter Hall.

[AMAZONPRODUCT=0307269124]

Vera Gran was a sultry contralto headlining at the Café Sztuka in the Warsaw Ghetto. The café and her accompanist are remembered in Roman Polański’s film The Pianist, but she is not. Accused after the war of collaboration with the Germans, despite being acquitted of all charges, she was never able to get her career back into full swing, though she did make some recordings in Paris, had a Carnegie Hall recital, and sang with the likes of Charles Aznavour. Tuszyńska’s book, newly translated into English by Charles Ruas, tells her story.

Tuszyńska, one of Poland’s leading biographers and writers, sought out Gran in Paris and interviewed her over a period of three years, researching Gran’s claims and allegations in an attempt to render an account of her life from scraps of memory, refracted through amnesia, paranoia and delusion. Her controversial book, quickly translated into several languages, is also a subjective account of the author’s struggle to work through her own personal relationship to the Warsaw Ghetto. Tuszyńska, the daughter of Ghetto survivors, only learned of her Jewish heritage in her late teens. In her book she attempts to get inside the minds of Gran and of her accusers, raising more questions than she answers.

Tuszyńska’s visit is sponsored by the Amesbury Professorship in Polish Language, Literature and Culture in collaboration with the Polish Cultural Institute New York and the Adam Mickiewicz Institute in Warsaw. Copies of her book will be available for sale after her talk.

Art, Events, Poland - Polish - Polonia, , , , ,

Movie Night at the Albany PCC

A movie night will be held at the Albany Polish Community Center on Friday, January 18th at 7:30 pm featuring Chopin: Desire for Love.

The movie night is sponsored by the Center’s Ladies’ Auxiliary. The Polish Community Center is located at 225 Washington Ave. Ext. Albany, NY 12205

plakat02Chopin: Desire for Love is in Polish with English subtitles

The drama chronicles the stormy affair between the great piano virtuoso Frederic Chopin and the flamboyant feminist writer Aurore Dupin, who called herself George Sand. Academy Award nominated Jerzy Antczak directs this sweeping portrayal of the famed composer and his intense but hurtful relationship with George Sand and her children. Chopin’s music, known and loved by millions worldwide, provides a powerful score that underlines the drama. The world recognized Yo-Yo Ma (cellist), Emmanuel Ax (pianist), Yukio Yokoyama (pianist), Janusz Olejniczak (pianist), Pamela Frank (violin), and Vadim Brodsky (violin) use their talents to brilliantly perform Chopin’s music.

Pizza and soda will be served. Donations of $2 for Ladies’ Auxiliary and PCC members, $5 for non-members. Children free!

A meeting of the Ladies’ Auxiliary will precede the event starting at 7 pm.