Day: December 30, 2013

Events, PNCC, , , , , , ,

New Year’s Resolution – Financial Security?

The Polish National Union of America (PNUA) and Spójnia Credit Union (SCU) are effective tools in your financial management portfolio. If you are considering getting your financial house in order for the new year, contract the PNUA and SCU which are able to provide insurance, savings, loan, and other financial products. These products are secure and helpful on a personal basis. Membership also benefits your parish and our Holy Church.

PNUA policies for youth are a great way to start your children, grandchildren, nieces, and nephews on the road to a lifetime of savings. Giving them the gift of an endowment or life insurance policy not only provides financial security but makes them eligible for PNUA benefits like college stipends, membership in the Spojnia Credit Union, as well as branch and district activities.

Money Money Money_final

The PNU has been providing numerous benefits to the PNCC for 105 years now and with your help we will be able to do so long into the future. Contact your parish, local PNUA representative, or the PNUA office at 1‐800‐724‐6352 or by E-mail.

Art, Events, , ,

Arts Opportunities for Students, Educators, and Artists

The New York State Alliance for Arts Education announces the following opportunities:

For Students

New York State Summer School for the Arts: The Summer of 2014 will mark the 45th year of operation for the schools that form the New York State Summer School of the Arts. This program, with its seven component summer residential programs in Ballet, Choral Studies, Dance, Media Arts, Orchestral Studies, Theatre, and Visual Arts is administered by the New York State Education Department. Recognized as one of the finest programs of its kind in the nation, over 15,000 high school age students have become part of this unique summer experience. Alumni of the program will attest to the success of the schools in helping high school students with special talents identify and pursue career choices in all fields of the fine arts and performing arts at an early age. The Schools provide opportunities for all New York State students who qualify through auditions, to receive the highest level of training and instruction. Application information is available here. 

2014 VSA International Young Soloists – Call for Entries: VSA International Young Soloists Competition is now accepting entries. The VSA International Young Soloists Competition annually selects up to four outstanding musicians from the United States and the international arena, and supports and encourages them in their pursuit of a career. These emerging musicians receive $2,500, professional development opportunities, and a performance at the John F. Kennedy Center for the Performing Arts in Washington, D.C. All applications must be submitted for review by Monday, January 27, 2014.

For Professionals

Arts Connect All New York: One-on-One Mentorships for Arts Educators: Arts Connect All New York (ACANY) provides educators with a uniquely tailored mentorship for the Spring 2014 semester, with the goal to improve the quality of arts education provided to students with special needs. The mentorship includes three phone consultations, three on-site visits and self-reflective writing assignments. Participating educators receive a $125 stipend, intended as a partial reimbursement for their out-of-school time spent participating in ACANY. Through ACANY, participating educators will receive deep and meaningful professional development that will ultimate benefit hundreds of students across New York State. The application deadline has been extend, but please don’t delay! See NYSAAE’s Webpage for details.

ARTS@theCORE – Vital Training in Standards & Curriculum: Filling a critical gap in professional development for arts educators, ARTS@the CORE symposia, offered from January – March in select regions across the state, will expand participants’ knowledge & improve their arts teaching practice. With a faculty of nationally-recognized experts on arts education and the Common Core — Bruce Taylor, Scott Schuler and Susan Riley– each symposium establishes a context of the arts within the Common Core State Standards, explores the CCSS in both studio arts & integration classes, and provides opportunities for hands-on curriculum planning & collaborative group work. The symposia will provide 5.5 hours of PD credits for teachers. See NYSAAE’s webpage for details and registration information..

Residency

Call for Entries Saltonstall Arts Colony, Ithaca, NY: Time for inspiration, a quiet studio, a beautiful setting, and a stimulating community of artists working in diverse disciplines. Two-week and four-week residencies are offered between late-April and mid-September for New York State artists and writers looking for quiet, supportive environment in which to focus on their craft. See the Constance Saltonstall Foundation for the Arts webpage for more information.

Art, Events, Poland - Polish - Polonia, , , ,

Applications available for the Kosciuszko Foundation’s Marcella Sembrich Voice Scholarship Competition

The Kosciuszko Foundation’s Sembrich Voice Competition will take place on March 29th and 30th. Applications will be accepted through February 20, 2014.

The Sembrich Voice Competition honors the great Polish soprano Marcella Kochanska Sembrich, who made her Metropolitan Opera debut in 1883. After an enormously successful career, the popular singer founded the vocal programs at both the Juilliard School and the Curtis Institute. Previous winners of the competition include Barbara Hendricks and Jan Opalach.

Those who are accepted as contestants will be notified in early March 2014. They will then be required to submit a program for the preliminaries.

Application

To enroll, complete an application [pdf] and return to the Kosciuszko Foundation:

Marcella Sembrich Voice Scholarship Competition 2014
The Kosciuszko Foundation
15 East 65th Street
New York, New York 10065

Fax (212) 628-4552

Requirements

The Competition is open to singers 18 to 35 who are U.S. citizens or permanent residents, and full-time students with international visas. Applicants must include:

1. Resume and short bio – you may (but are not required to) include any other pertinent information you might like to share.
2. A copy of proof of age and citizenship or residency status.
3. One CD approx. 10 minutes in length. This can be any repertoire that you are comfortable with. Print your name and selection on the CD box. If you wish your CD returned to you, Include a stamped, addressed mailer.
4. One black and white photo of yourself suitable for reproduction, no smaller than 3 x 5 inches.
5. A non-refundable application fee of $35 payable by check or money-order to The Kosciuszko Foundation.

You need not submit suggested repertoire for the audition until you are notified that you are accepted as a contestant.

Required Repertoire

Those who are accepted as contestants will be notified in early March 2014. They will then be required to submit a program for the preliminaries to be held on Saturday, March 29, 2014:

Preliminary:

1 18th century aria (Bach/Handel to Mozart) 1 operatic aria of your choice
1 song by Stanislaw Moniuszko*
1 19th century romantic selection

The required repertoire for the Finals to be held Sunday, March 30, 2014 are:

1 19th century operatic aria
1 20th century operatic aria
1 20th century Polish song*
1 one additional song from any 20th century repertoire

You can find suggested repertoire and sources for the Polish songs and Moniuszko arias in foreign languages at the Marcella Sembrich Voice Competition website.

If an unusual or rare work is selected, copies should be provided to the Foundation competition for the pianist and the judges.

Polish works can be sung in any language (with a minimum of two verses). All works should be sung from memory, in whichever order the contestant chooses.

attachment_3

Art, Events, Poland - Polish - Polonia, , , ,

Applications available for the Kosciuszko Foundation’s Chopin Piano Competition

The Kosciuszko Foundation’s Chopin Piano Competition was established in 1949, in honor of the hundredth anniversary of the death of Frederic Chopin. Over the years, many outstanding musicians have been associated with the competition including Van Cliburn, Ian Hobson, and Murray Perahia. Today, the Kosciuszko Foundation’s Chopin Competition continues to encourage gifted young pianists to further their studies and to perform the works of Polish composers.

Required Repertoire

1. Chopin:

a) One Mazurka of the contestant’s choice

b) Two works chosen from Etudes, Nocturnes, Waltzes, Impromptus, Preludes, and miscellaneous works

c) One major work chosen from the following: Ballades, Scherzi, Sonatas; F-sharp minor Polonaise; A-flat major Polonaise-Fantasy; Andante Spianato and Grande Polonaise; Barcarolle; F-minor Fantasy; Introduction and Rondo, Op.16; Allegro de Concert, Op. 46

2. Szymanowski: Two works of the contestant’s choice, including at LEAST one Mazurka

3. A major work by J.S. Bach or two Preludes and Fugues from the Well-Tempered Clavier

4. A complete sonata by Beethoven, Haydn, Mozart, or Schubert

5. A major 19th or early 20th century work (before 1950 including Debussy, Ravel, Prokofiev, Rachmaninoff, etc., but excluding those in 4. Above)

6. A contemporary work (after 1950) by an American or Polish composer

*All works are to be complete and played from memory

Eligibility

The Competition is open to citizens and permanent residents of the United States, Polish citizens, and to international full-time students with valid U.S. student visas. Applicants must be between the ages of 16 and 26 as of October 24, 2014.

Application Process

Complete the application [pdf] and submit it along with all required materials noted below by October 3, 2014 to:

Chopin Piano Competition
Kosciuszko Foundation
15 East 65th Street
New York, NY 10065
Fax: (212) 628-4552

1. Biography or curriculum vitae. Include education, experience, honors or competitions won, public recitals or performances with orchestra. Include official event name or competition title, sponsoring organization, and date.

2. Two letters of recommendation emphasizing artistic ability and achievement, one from a current teacher and one from another source, sent directly to The Kosciuszko Foundation.

3. A typewritten copy of your program from the required repertoire (see p. 3) Please give complete information, (including key & opus number, etc.) and movement titles. Retain a copy.

4. A copy of an official document with proof of age.

5. One black and white photo of yourself suitable for reproduction, no smaller than 3″ x 5.”

6. A non-refundable application fee of $50 (payable by check or money order to The Kosciuszko Foundation).

Competition Schedule

Preliminaries: Friday, October 24, 2014 at 10 AM, KF House
Finals: Saturday, October 25, 2014 at 10 AM, KF House

attachment_1

Art, Christian Witness, PNCC, Poland - Polish - Polonia, , , , ,

Polish Christmas Carol Sing Along in Northampton, Massachussetts

A Polskie Kolędy (Polish Christmas Carol) Sing Along will be held on Sunday, January 5th at 2 p.m. at St. Valentine’s Church, 127 King Street, Northampton, MA. This annual concert and sing-along is sponsored by the Polish Heritage Committee. This community event includes choir members and participants from the many of the closed Polish Roman Catholic parishes in central Massachusetts (Holy Rosary, Hadley; St. Stanislaus, South Deerfield; St. John’s Cantius, Northampton; and Sacred Heart, Easthampton).

For more information please call Fr. Adam 413-584-0133.

Polskie Koledy

PNCC, Poland - Polish - Polonia, , , , , ,

What you should know…

An article by Matt Soniak, written to honor the 400th anniversary of the arrival of the first Polish immigrants in America in 2008 recently re-appeared, at mental_floss. It presents a great retrospective of the contributions of Polish immigrants to life and culture in the Americas. Below are a few of the highlights including Poish-American’s organizing of the Polish National Catholic Church from 8 Things You Need to Know About Polish Americans:

1. We got to the party early, and brought a lot of friends.

In 1608, the first Polish immigrants arrived in Jamestown, Virginia, and were quickly recruited by the colony as craftsmen in the colony’s glassmaking and woodworking industries. (They also dug the colony’s first well.) After a decade in Jamestown, the Poles still did not have the right to vote in the elections of the colonial government, and in 1619, they held the first labor strike in America. By walking off the job, they affected the local industry enough that voting rights were granted to them.

Just before America began to fight to gain its independence, Poland lost its own. In 1772, 1793 and 1795, the Polish-Lithuanian Commonwealth was partitioned by Prussia, Russia and Austria. The first of three major waves of Polish immigration occurred after the partition when Polish nobles, political dissidents and other Poles fled their occupied nation.

A second wave took place between 1860 and World War I. Although the reconstitution of Poland was parts of Woodrow Wilson’s Fourteen Points, and Poland regained its independence as the Second Polish Republic, a few million Poles had already left for America because industrialization had driven them from their farms.

The third and largest wave lasted from the end of World War I to the end of the Cold War, again mostly made up of political refugees. After the collapse of the Soviet Union and emergence of the Third Polish Republic, a fourth wave of immigrants, who generally come to earn money and eventually return to Poland, began. Today, there are an estimated 10 million Americans of Polish descent.

2. We’re mostly found in clusters in the Northeast

Polish immigrants were considered well-suited for manual labor, and were often recruited for work in coal mines and the steel industry. Because of that, the largest Polish American populations can still be found in states that were industrial centers in the 20th century, like Pennsylvania, New York, Illinois, Ohio and Michigan (here’s a map of Polish American hot spots).

The largest Polish American population can be found in Chicago, which with 185,000 Polish speakers calls itself the largest Polish city outside of Poland. The cities and towns of Pennsylvania’s Luzerne and Lackawanna Counties, including Wilkes-Barre (my home sweet home), Scranton, Hazleton, Pittston and Nanticoke, are also home to large Polish populations because of the area’s once-large coal deposits.

3. We made some big steps for religion in this country

When the predominantly Roman Catholic Poles came to America en masse in the late 19th and early 20th centuries, the Catholic Church here had no Polish bishops and very few Polish priests. A group of Polish immigrants in Scranton broke away in 1897 and formed the Polish National Catholic Church. Today, the PNCC has 126 parishes in North America and 60,000 members.

While Poland is largely Roman Catholic, it has had a small Muslim population since the 14th century, when Tatar tribes began settling in the Polish-Lithuanian Commonwealth. A group of Polish Muslims who emigrated to the U.S. co-founded the first Muslim organization in Brooklyn in 1907 and, in 1926, built a mosque that’s still in use today.

4. We’ve got friends in high places

Polish Americans you might be familiar with include Kristen Bell, Maria Bello, Scarlett Johansson, John Krasinski, Mike Krzyzewski, Jerry Orbach, John Ratzenberger, Gore Verbinski, the Wachowski brothers, the Warner brothers, Pat Benatar, Dick Dale, Liberace, Richie Sambora, Jack White, Pat Sajak, Martha Stewart, Steve Wozniak, Richard Feynman, Gene Krupa and Mike Ditka.

While they may not be household names, other Polish Americans have done some pretty important things. Stephanie Kwolek developed Kevlar. Albert Abraham Michelson was the first American to receive the Nobel Prize in the sciences for his work on measuring the speed of light. Curtis Sliwa founded the Guardian Angels. Ruth Handler co-founded the Mattel toy company and created the Barbie doll. Leo Gerstenzang invented the Q-tip…

5. George Washington loved us

Among the Polish immigrants to America after the partitions was Casimir Pułaski, a Polish noble and soldier, who was recruited by Benjamin Franklin to help lead the American army. PuÅ‚aski was made a general and had a large role in training the Continental Army. He later created [the] Pułaski’s Legion, one of America’s first cavalry regiments, and is regarded as “the father of American cavalry.”…

6. There ain’t no Christmas like a Polish Christmas

Wigilia, the traditional Polish Christmas Eve dinner, begins when the first evening star appears. Twelve meatless courses (one for each of the apostles) are served after a white wafer called the oplatek, is broken and shared among the diners while they exchange good wishes (a separate pink wafer is shared with the animals). For the dinner, there should be an even number of people at the table to ensure good health, with one empty chair reserved anyone who happens to stop by. Tasting all twelve courses ensures good luck in the new year. After supper, Christmas carols are sung in Polish, and the celebration culminates with family and friends going to Pasterka, the Midnight Mass.

7. We didn’t invent the polka, but we do love it

While often attributed to the Polish, the polka actually originated in Bohemia…

8. Our food is awesome

Do you like kielbasa? How about pierogis? You’re welcome.